![]() ^ The forms which are not attested in the Gothic corpus are marked with an asterisk.^ For a discussion of the Gothic alphabet see also Fausto Cercignani, The Elaboration of the Gothic Alphabet and Orthography, in "Indogermanische Forschungen", 93, 1988, pp.^ According to the testimony of the historians Philostorgius, Socrates of Constantinople and Sozomen.) and colon (:) as well as overlines to indicate sigla (such as xaus for xristaus) and numerals.Gothic □ takes the place of Ϝ (6), □ takes the place of ξ (60), □ that of Ο (70), and □ that of ψ (700).ĭiacritics and punctuation used in the Codex Argenteus include a trema placed on □ i, transliterated as ï, in general applied to express diaeresis, the interpunct ( Regarding the letters' numeric values, most correspond to those of the Greek numerals. □ (x) is only used in proper names and loanwords containing Greek Χ ( xristus "Christ", galiugaxristus "Pseudo-Christ", zaxarias "Zacharias", aiwxaristia "eucharist"). Some variants of □ (s) are shaped like a sigma and more obviously derive from the Greek Σ. However, Snædal claims that "Wulfila's knowledge of runes was questionable to say the least", as the paucity of inscriptions attests that knowledge and use of runes was rare among the East Germanic peoples. □ (r), □ (s) and □ (f) appear to be derived from their Latin equivalents rather than from the Greek, although the equivalent Runic letters ( ᚱ, ᛋ and ᚠ), assumed to have been part of the Gothic futhark, possibly played some role in this choice. □ (o derived either from Greek Ω or from Runic ᛟ, or from a cursive form of Greek Ο, as such a form was more common for omicron than for omega in this time period, and as the sound values of omicron and omega had already merged by this time.□ (ƕ derived from Greek Θ /θ/ with phonetic reassignment possibly the letterform was switched with □).the numerical values), or from Runic ᚢ /u/) □ (u possibly an allograph of Greek Ο (cf.□ (þ derived either from Greek phi (Φ) /f/ or psi (Ψ) /ps/ with phonetic reassignment, or Runic ᚦ).□ (q derived either from a form of Greek stigma/ digamma ( ), or from a cursive variant of kappa (ϰ), which could strongly resemble a u, or by inverting Greek pi (□) /p/, perhaps due to similarity in the Gothic names: pairþa versus qairþa ).Most of the letters have been taken over directly from the Greek alphabet, though a few have been created or modified from Latin and possibly (more controversially ) Runic letters to express unique phonological features of Gothic. Uuinne < winja "field, pasture" or winna "pain"Įnguz < * iggus or * iggws "the god Yngvi" Quetra < * qairþra ? or qairna "millstone" The names are given in their attested forms followed by the reconstructed Gothic forms and their meanings. Most of them seem to be Gothic forms of names also appearing in the rune poems. The letter names are recorded in a 9th-century manuscript of Alcuin ( Codex Vindobonensis 795). Two letters, □ (90) and □ (900), have no phonetic value. When used as numerals, letters were written either between two dots ( Two letters used in its transliteration are not used in current English: thorn þ (representing / θ/), and hwair ƕ (representing / hʷ/).Īs with the Greek alphabet, Gothic letters were also assigned numerical values. Letters īelow is a table of the Gothic alphabet. Also, the Greek-based script probably helped to integrate the Gothic nation into the dominant Greco-Roman culture around the Black Sea. Ulfilas is thought to have consciously chosen to avoid the use of the older Runic alphabet for this purpose, as it was heavily connected with Pagan beliefs and customs. BCEĪdlam (slight influence from Arabic) 1989 CE Caucasian Albanian (origin uncertain) c.Cherokee (syllabary letter forms only) c.
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